A vast body of Sanskrit poetry and shastric literature is composed in classical meters. Traditional texts on Sanskrit meters (chanda-s) usually describe vritta-s by grouping them according to the number of syllables in each pada. However, correct reading, recitation, memorisation, and appreciation of these works depend mainly on understanding the gati of each chanda-s. This course introduces the gati-jnana of more than 100 classical Sanskrit meters through their lakshana-s and carefully chosen poetic examples. By emphasising rhythmic movement rather than mere syllabic counts, the course enables joyful reading and facilitates effortless poetic composition. The approach followed in this course is practice-oriented, organising meters based on their gati-s and clustering vritta-s that share rhythmic affinities. The course helps learners internalise gati-s effectively through hands-on composition exercises, thus building a strong foundation for poetic composition and advanced pursuits such as Avadhana. Guided by Dr. Ramakrishna Pejathaya, the course draws upon his profound knowledge and methodical teaching experience.
What will you gain from this course? (Key Benefits / Learning Outcomes)
What are the materials/support you get?
What are the prerequisites to get the best out of this course?
Basic understanding of Sanskrit and ability to communicate in Sanskrit.
What is the effort required to complete this course?
This is a 1-Credit Course, with a total expected Student effort of 35 hours.
Effort Breakup
Lectures - 15 hours
Self-Study - 15 hours
Assessments - 5 hours
Module I: Introduction to Chandas and Foundational Concepts
• Meaning, scope, and purpose of Chandas.
• Differences between Vaidika and Laukika metres, and the distinction between Padya and Kavya.
• Arrangement of laghu guru matra patterns and the concept of yati.
• Varna and matra vritta-s, and the classification of metres as sama and ardhasama.
Module II: Understanding and Internalising Gati
• Introduction to major vritta-s, clustered on the basis of shared gati-s.
• Internalisation of the gati of different metres through guided reading.
• Critical appreciation of selected metrically elegant verses for each vritta.
Module III: Composition Practice and Advanced Explorations
• Guided practice in composing metrical segments (padya-khanda-s), with attention to correctness of chandas, laghu–guru patterns, and fluency.
• Gradual progression from short metrical units to the composition of complete metrical poems.
• Introduction to selected advanced themes in metrical composition, tailored to the level and preparedness of participants.
• Exploratory discussions on refinement, variation, and creative application of metres in literary contexts (optional and need-based).